My friend Terry was looking at various end-of-decade lists and began asking friends (or, at least, Facebook friends) about the most influential women of the decade. Nominees included Oprah, Nancy Pelosi, Sarah Palin, Tina Fey, Lady Gaga, Ayn Rand, and J.K. Rowling.
One person nominated the cast of “The Hills,” which came as a surprise to me; I tend to avoid TV, and I haven’t ever seen an episode of that show. So I have not, as far as I am aware, been influenced by it at all. But perhaps things are different in the world at large. Does whatever Heidi Pratt has count as influence? Is it influence if we all wish she would go away? Terry speculated that a qualification for someone’s being influential was that, somewhere, someone else wanted to kill them; by that standard, Heidi Pratt is influential indeed.
Anyway, the whole thing made me think about how women are positioned as a cultural force now, at the end of the decade. Many, many public women are closer than I would like to what Betty Friedan called a fluffy, infantilized version of femininity; the whole celebrity cult of baby bumps and getting your sexiness back four weeks after the kid is born is…problematic. The idea that one can be pregnant and a mom and a sex symbol is great; the idea that postpartum sexiness depends on having a pre-baby body is less so; the idea that a woman’s performance career will be more successful if she trots out the kids for the tabloids is galling.
But there’s one definite bright spot, and it’s in publishing. I am no fan of Twilight, and there are a slew of feminist objections to be raised to a series with such a blank, passive heroine, but Stephenie Meyer has absolutely dominated the publishing industry for the past couple of years. Before her, J.K. Rowling sold millions and millions. Sady Doyle, in The American Prospect, points out:
As Twilight demonstrates, not everything girls like is good art — or, for that matter, good feminism. Still, the Twilight backlash should matter to feminists, even if the series makes them shudder. If we admit that girls are powerful consumers, then we admit that they have the ability to shape the culture. Once we do that, we might actually start listening to them.
Dollars have always been the way to get Americans to pay attention. Now would be a good time for women writers to say something interesting.